Pradhama Drishtiya Kuttakkar is a gripping cat-and-mouse game that benefits from smart writing.
Bethlehem Kudumba Unit offers a delightful and charming cinematic experience, blending trademark humour with a sweet, unconventional love story, gushes Sreeju Sudhakaran.
I'm Game starts with a wickedly fun possessed-hand premise and plenty of style, only to lose its grip in a predictable second half.
From Ikkis to Balan: The Boy, these are the 10 Indian films that truly deserved the loudest applause in the first half of 2026.
Bharathanatyam 2: Mohiniyattam emerges as a surprisingly superior sequel, boldly transitioning from a slice-of-life narrative to a dark comedy crime-thriller, observes Sreeju Sudhakaran.
The two young Malayalam superstars fight it out this weekend.
As someone who could not predict a single beat in advance, who was exhilarated by its audacity to throw random elements together and take chances all over the place, Sreehari Nair thinks Odum Kuthira Chaadum Kuthira is one of the best films of the year.
The premise of the film may be very old but the sincere effort of the entire cast makes it watchable, writes Paresh C Palicha.
Karma Cartel director Vinod Bharathan gives us an insight into his style of filmmaking.
Which film are *you* looking forward to?
A lowdown on what's happening in the Malayalam film industry.
A lowdown on what's happening in the Malayalam film industry.
Kohinoor lacks the sparkle, feels Paresh C Palicha.
Rasputin is long-delayed, and not meant for today's times, says Paresh C Palicha.
Manglish is a typical star vehicle that does not deserve a critical dissection.
By the time the big twist arrives in Aneesh Upasana's Malayalam thriller Seconds, we are too jaded to enjoy or appreciate it, says Paresh C Palicha.
With Premam, director Alphonse Putheran proves that he has the knack of presenting themes that have blockbuster written all over, writes Paresh C Palicha.
'We feel thrust into a motion picture that has all the makings of a carnival but no real fireworks,' Sreehari Nair notes after watching Malik.
Once you are done paying your respect to God and Grasshoppers, you circle back to the human beings in Gold, and that's when things become progressively more and more muddled, observes Sreehari Nair.
